Spesifikasi Ibanez PGM300

Ibanez PGM 300

Ibanez PGM300 adalah salah satu dari keluarga model PGM gitaris Amerika Paul Gilbert, pertama kali diperkenalkan pada tahun 1991.
Dengan Body berbahan Basswood, Wizard Neck dengan Fingerboard Maple, DiMarzio pickups dan Double Locking Tremolo, membuat PGM 300 banyak digemari dikalangan gitaris. PGM 300 adalah seri PGM kedua (setelah PGM 100) dan terakhir yang menggunakan system Double Locking Tremolo, Seperti kebanyakan PGM, PGM 300 juga dilengkapi tanda tangan Paul Gilbert.
Paul Gilbert sendiri telah mengganti tremolo PGM 300 nya dengan Hard Tail (tremolo model Fixed Bridge). Pada tahun 2003, PGM 300 versi Hard Tail mulai produksi dan diperkenalkan dengan seri PGM301, dan  PGM300 asli dihentikan setelah 2004.
Pada tahun 2009, PGM 300 di
produksi kembali dengan nama PGM300RE dalam rangka merayakan ulang tahun ke-20 dari model PGM. PGM 300 mendapat suara terbanyak di situs resmi Ibanez.

Spek Ibanez PGM 300

Spesifikasi Ibanez PGM300

Name                          PGM300
Years                          1991-2004
Area                            Seluruh Dunia
Made in                      Japan
Warna                         WH (White)

Body
Body material             Basswood
Neck joint                   AANJ
Bridge                        1991-2002: Lo Pro Edge tremolo
             2003-2004: Edge Pro tremolo
Hardware                   Cosmo Black
           
Neck
Neck type                  Wizard
Neck material            1-Piece Maple
Fingerboard               Maple
Inlays                         Black dots
Frets                          24 / Jumbo
           
Electronics
PU Config                  HSH
Neck PU                    DiMarzio PAF Pro
Mid PU                      1991-1996: DiMarzio FS1
            1997-2004: DiMarzio JEM Single
Bridge PU                  DiMarzio PAF Pro

Controls                   1 Volume / 5-Way Switch

Dan ini komentar Paul Gilbert tentang PGM 300


     The PGM300 is probably the PGM guitar that I played the most out of any of them. It was really the workhorse, the most punished guitar, the one that took the most abuse and kept on going. I used it during the peak of Mr. Big's success in Japan, when we were headlining three nights at athe Buddokhan. It always sounded great. To me, one of the unique things about that guitar, for whatever reason, was that it cleaned up really nice. Whenever I would use the 5-way switch and click it over one click to use the single coil and the split-coil humbucker together and turn the volume on the guitar down, I'd get this really nice glassy sound. I remember playing that guitar on the Tonight Show, doing a song called "Just Take My Heart" that had a really clean sound. It just sounded beautiful on that. There was no channel switching necessary. I just plugged it into a cranked up Marshall, turned the volume down, and got this beautiful, clear, shimmering sound. Of course when you crank it up, it was total metal. So that was the guitar that my hands have spent the most time on out of any of the PGMs. I think my chest cavity has modified to its shape. It's a very very dear guitar to me. I've spent so much time with it. I love it. You will, too. The PGM300.

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